Join us for exceptional music, coffee, and dessert in an intimate setting at one of our Friday night Green Wood Coffee House events.
Reservations are highly recommended! (1) Online reservations/purchases may be made though the paypal links found with each concert listing, (2) Conventional reservation method is to call Green Wood (665-8558) and leave a message with your name, no. of tickets, and performance date; then write a check to “FUMC” for the total, with “GW Coffee House” in the memo and send to: GREEN WOOD – 1001 GREEN RD., ANN ARBOR, MI 48105.
Doors open at 7:30 p.m. No tickets mailed; simply give your name at the door. Tickets will be available online through 6pm the day of the show. We are unable to accept credit cards at the door.
Times are tough — money is tight. Music brings comfort and joy. If your budget prevents you from paying admission, please don’t stay away! At the door, simply pay what you can, or mention that you are on the guest list. It’s just not the same without you!
Fri28Sep20188:00 pm1001 Green Road, Ann Arbor, MI 48105
Jeremy Horn grew up in Memphis -- "Home of the Blues" and "Birthplace of Rock and Roll" -- but his music sounds more like the Beatles than B.B. King or Elvis. He writes songs for the church and songs for the radio, yet his songs are more complex than either has traditionally allowed. He lives in a city that is known as much for its racial unrest and inner-city violence as it is for being the place Elvis called home, yet he leads worship at one of the largest multicultural churches in the South, where half the congregation is African-American. When you meet Jeremy, he looks and sounds just like the "guy next door" -- if the guy next door has a traditional southern drawl. Making music has preoccupied Jeremy Horn ever since he received his first guitar at age fifteen. Growing up on the sounds of James Taylor and the Beatles, Jeremy spent most of his early years emulating the sounds and songwriting styles of the popular culture. "I used to write songs about social injustices in the world," says Horn. After a few years and conversations with a wise, older friend, Jeremy realized he could also write songs that aspired to give people hope, and not just write what everybody else was writing. Says Horn, "That progressed into writing songs for Jesus, and that was the process that unexpectedly led me to become a worship leader." That progression started Jeremy Horn on the path of continued discovery --listening to artists both Christian and not -- to figure out how to express feelings and concepts that came from within, rather than from the evening news. Jeremy's music is a fixture on Michigan's 17 Smile-FM Contemporary Christian music stations; his "I Will See Angels 'Round Your Throne" and "First Love" are two of his popular hits. Jeremy's new CD is No Other Love. This is a rare opportunity to see Jeremy Horn in a small venue setting. Bring a friend!
Fri12Oct20188:00 pm1001 Green Road, Ann Arbor, MI 48105
This show always sells out, so be sure to get your tickets in advance!
At Woodstock, as a New York kid barely known outside the coffeehouse circuit in Greenwich Village, she sang her song, "Beautiful People" and inspired the first panorama of candles and cigarette lighters ever raised at a concert event. That, in turn, moved the young singer to write "Lay Down (Candles in the Rain"), which sold more than one million copies in 1970 and prompted Billboard, Cashbox, Melody Maker, Record World, and Bravo to anoint her as female vocalist of the year. Her single, "Brand New Key," topped the charts in 1971.
With guitar in hand and a combination of amazing vocal talent, disarming humor, and a vibrant engagement with life, she was booked as the first solo pop/rock artist ever to appear at the Royal Albert Hall, Carnegie Hall, and the Metropolitan Opera House, and later opened the New Metropolitan Opera House in New York, the Sydney Opera House, and in the General Assembly of the United Nations, where she was invited to perform on many occasions as delegates greeted her performances with standing ovations.
The top television hosts of all time -- Ed Sullivan, Johnny Carson, and Dick Cavett -- battled to book her.
UNICEF made her its spokesperson; Jimi Hendrix's father introduced her to the multitude assembled for the twentieth anniversary of Woodstock. Her records continued to sell -- more than eighty million to date. She's had her songs covered by singers as diverse as Cher, Dolly Parton, and Macy Gray. She's raised a family, won an Emmy, opened a restaurant, and written a musical about Wild Bill Hickok and Calamity Jane.
This is a rare opportunity to experience Melanie live and in person in an intimate venue. Don't miss it!
Fri19Oct20188:00 pm1001 Green Road, Ann Arbor, MI 48105
Warm as summer sunshine, real as the truth, intimate as a long overdue visit between old friends … such is a Jonathan Edwards concert. Four decades into a stellar career of uncompromising musical integrity, the man simply delivers, night after night – songs of passion, songs of isight, songs of humor, all rendered in that pure and powerful tenor which, like fine wine, has only grown sweeter with age.
This is one veteran performer who is neither grizzled nor nostalgic.
Jonathan's highly respected repertoire includes such classics as, “Sometimes,” “One Day Closer,” “Don’t Cry Blue,” “Emma,” “Everybody Knows Her,” “Athens County,” and everyone’s favorite ode to putting a good buzz on, “Shanty.” And then, of course, there’s the anthemic “Sunshine (Go Away Today),” that fierce proclamation of protest and independence that resonated with thousands and thousands of frustrated and angry young men and women when it was first released in 1971. Almost 40 years later, at show after show, the song continues to be embraced by faithful followers and new fans alike.
Since 1971, Jonathan has released 15 albums, including "Blue Ridge," his standard-setting collaboration with bluegrass favorites the Seldom Scene, and "Little Hands," his collection of children’s songs, which was honored with a National Library Association award. His brand new album is, "Tomorrow's Child."
Fri26Oct20188:00 pm1001 Green Road, Ann Arbor, MI 48105
There is no better storyteller than Chuck Brodsky. Ranging from poignant to hilarious, his songs are about the little things in the lives of everyday people. Chuck's soulful and compassionate voice brings his characters to life, and is the perfect instrument for infusing his lyrics with heartfelt humanity or biting wit. His spoken introductions to his songs can be as spellbinding as his colorful lyrics, which he brings to life with a well-travelled voice and a delivery that's natural and conversational. His groove-oriented strumming and fingerpicking draw on influences from the mountains of western North Carolina where he now lives, and from lots of different good old traditional folk stuff of all kinds. Chuck is widely known for his many wonderful songs about the heroes -- and zeroes -- of baseball. His latest CD is The Tell Tale Heart.
Fri16Nov20188:00 pm1001 Green Road, Ann Arbor, MI 48105
Michigan native Claudia Schmidt has covered a lot of musical ground, beginning with a stirring rendition of "Tammy," at age 4, around a neighborhood bonfire. Claudia's 3-decade career touring North America and Europe includes regular stints on "A Prairie Home Companion;" participating in the delightful Les Blank movie, "Gap-Toothed Women," contributing a song as well as an interview; and performing a lead role in The Gales of November," a musical retelling of the Edmund Fitzgerald tragedy from the point of view of three wives of the doomed crew of the Great Lakes ore-carrier. Claudia has recorded fourteen albums mostly of original songs, exploring folk, blues, and jazz idioms featuring 12-string guitar and mountain dulcimer. I Thought About You is her second effort leading her own swinging sextet, Claudia Schmidt & The JumpBoys. In 2003 she released a spoken-word CD, Roads, which includes poems and essays from her rich performance repertoire. In 2006 Claudia released her first self-produced folk/acoustic CD, Spinning, with a studio full of Michigan s finest musicians. Claudia describes herself as a "creative noisemaker." You may expect anything at a Schmidt concert: hymn, poem, bawdy verse, torch song, satire. She can weave the elements of music and stage into a program so full of life that one critic has described a Claudia Schmidt concert as "...a lot like falling in love. You never know what's going to happen next; chances are it's going to be wonderful; every moment is burned into your memory; and you know you'll never be the same again." www.claudiaschmidt.com
Fri30Nov20188:00 pm1001 Green Road, Ann Arbor, MI 48105
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Chuck Mitchell started singing in Detroit folk clubs in the 1960s. In Toronto, on his first out of town gig, he met Canadian songwriter Joni Anderson. They married, and as a duo Chuck and Joni Mitchell played the coffeehouse circuit, and gin rummy, until they divorced in 1968. Mitchell's credits include A Prairie Home Companion and repertory theatre in Texas and in England. He has played Harold Hill in The Music Man and Woody Guthrie in Woody Guthrie's American Song. Most recently, he wrote and produced Mr. Foster & Mr. Twain, in which Stephen Foster joins Mark Twain for an evening of story and song. A Chuck Mitchell's show combines his seasoned skills as an actor, singer and guitarist with a selection of delightful material. He sings cabaret songs by Brecht and Weil -- "Mack the Knife" and "The Bilbao Song" -- and whimsical songs by Flanders & Swann -- "The Gnu" and "Have Some Madeira, M'dear". He roves the room singing "Freeborn Man" by Ewan McColl, or "Necessity" from Finian's Rainbow. He weaves poetry by Robert Frost and T.S. Eliot into his shows. He has been called a renaissance man, and thinks he is old enough to be one.