Join us for exceptional music, coffee, and dessert in an intimate setting at one of our Friday night Green Wood Coffee House events.
Reservations are highly recommended! (1) Online reservations/purchases may be made though the paypal links found with each concert listing, (2) Conventional reservation method is to call Green Wood (665-8558) and leave a message with your name, no. of tickets, and performance date; then write a check to “FUMC” for the total, with “GW Coffee House” in the memo and send to: GREEN WOOD – 1001 GREEN RD., ANN ARBOR, MI 48105.
Doors open at 7:30 p.m. No tickets mailed; simply give your name at the door. Tickets will be available online through 6pm the day of the show. We are unable to accept credit cards at the door.
Times are tough — money is tight. Music brings comfort and joy. If your budget prevents you from paying admission, please don’t stay away! At the door, simply pay what you can, or mention that you are on the guest list. It’s just not the same without you!
Shari Kane & Dave Steele
Shari and Dave first met in the summer of 1991, crossing paths as performing blues musicians: Shari was the partner of harmonica legend, Madcat Ruth, (Madcat & Kane), while Dave was leading the electric blues band, Big Dave and the Ultrasonics. A happy marriage, thousands of miles of touring, and twenty years later, they’ve recorded their first CD as a duo.
Friends, neighbors, fellow musicians and fans have asked over the years, “When are you two going to start playing together?” The truth is, they’ve been playing together since their first date. In many ways their playing has developed side by side, listening to and learning from great acoustic blues guitarists from the past – Reverend Gary Davis, Robert Johnson, Blind Blake, Robert Lockwood Jr. to name just a few. Whether stomping out a blues on the front porch, deciphering a rag in the basement, or swinging on a lazy day in the back yard, they’ve been finding ways to put guitar parts together for years.
As an acoustic blues duo, Shari and Dave throw a four handed guitar party of original and time-honored blues, gospel, swing and ragtime. Steeped in Dave’s smoky vocals, percussive rhythm and innovative lead lines, Shari’s crisp picking style, rootsy leads, and stinging slidework, their music has been described as “street swing and stomp blues,” – like a testament to sounds once heard on the streets of Harlem, the juke joints of Mississippi, or from the jug bands of Memphis.
Shari Kane started playing guitar at the age of five. By the early 1970′s she had become a devoted blues fan, and learned how to play fingerstyle blues on the acoustic guitar. When she was sixteen, she began teaching guitar. She continues to teach, offering workshops in many of the cities where she performs.
Shari’s many years spent studying the work of the Delta Blues masters can be heard nightly as she picks up her acoustic guitar. Throwing herself into a stinging Robert Johnson interpretation, a jumping Robert Junior Lockwood shuffle, or the intricate fingerstylings of Reverend Gary Davis and Mississippi John Hurt, Shari’s mastery of the acoustic tradition is apparent.
In 1990, she began touring with harmonica legend Peter Madcat Ruth. The two recorded four CDs and played in venues nationwide as well as Spain, Brazil, Poland, Canada and the Cayman Islands.
An accomplished slide player, she appears on Rory Block’s 1992 release, Ain’t I A Woman. As a guitarist with considerable versatility, Shari is emerging as one of the country’s finest Blueswomen.
Dave Steele first began performing as a barroom acoustic solo guitarist and singer while attending Allegheny College in Northwest Pennsylvania in the 1970’s. During the 80’s, Steele expanded his interest to electric blues, as a founding member of the Zipper City Blues Band. After seven years as a popular regional act, Steele moved to Ann Arbor, Michigan where he formed and led the popular blues band Big Dave and the Ultrasonics. The band featured his big-voiced singing and sly lead guitar work as they swung throughout the U.S. and Canada 150 nights a year, regularly lighting up blues clubs like Buddy Guy’s Legends and the Zoo Bar, while making main stage appearances at festivals like the Montreal Jazz Fest and repeat performances at Portland Waterfront Blues Festival. After four recordings, (the final one on the Burnside label,) the Ultrasonics disbanded.
Steele took a break from performing at the turn on the century, but continued to play at home with Shari. Steele brings a basket of guitar influences to the partnership- single note lines inspired by B. B. King and Charlie Christian, acoustic ragtime and blues fingerpicking, and rhythm guitar, ala Count Basie accompanist Freddie Green – that mesh seamlessly with his wife’s dynamic fingerstyle and slide playing.